Italian painter , 1589-1623 was an Italian Baroque painter active mainly in Rome, Mantua and Venice. Born in Rome to a little-known painter, Pietro Fetti, Domenico is said to have apprenticed initially under Ludovico Cigoli, or his pupil Andrea Commodi in Rome from circa 1604-1613. He then worked in Mantua from 1613 to 1622, patronized by the Cardinal, later Duke Ferdinando I Gonzaga. In the Ducal Palace, he painted the Miracle of the Loaves and Fishes. The series of representations of New Testament parables he carried out for his patron's studiolo gave rise to a popular specialty, and he and his studio often repeated his compositions. In August or September 1622, his feuds with some prominent Mantuans led him to move to Venice, which for the first few decades of the seventeenth century had persisted in sponsoring Mannerist styles (epitomized by Palma the Younger and the successors of Tintoretto and Veronese). Into this mix, in the 1620s-C30s, three "foreigners" Fetti and his younger contemporaries Bernardo Strozzi and Jan Lysebreathed the first influences of Roman Baroque style.   Related Paintings of Fetti,Domenico :. | Old Sarum | Absinthe (mk09) | summer night | Dalmannkai Hamburg. | Die mystische Vermahlung der Hl. Katharina mit dem Jesusknaben |
Related Artists:
Jan Cossiers
1600-1671 Flemish Jan Cossiers Location Flemish painter and draughtsman. After serving an apprenticeship with his father, Anton Cossiers ( fl 1604-c. 1646), and then with Cornelis de Vos, he went first to Aix-en-Provence, where he stayed with the painter Abraham de Vries (1590-1650/62), and then to Rome, where he is mentioned in October 1624. By 1626 he had returned to Aix and had contact with, among others, Nicolas-Claude Fabri de Peiresc, the famous humanist, who recommended him to Rubens. By November 1627 Cossiers had settled back in Antwerp. The following year he became a master in the Guild of St Luke, and in 1630 he married for the first time; he married a second time in 1640.
John Burr
Scottish, 1831-1893
Eugenio Gignous
(Milan, 1850 - Stresa (Verbania), 1906) was an Italian painter. The son of a silk merchant from Lyon, Gignous displayed a precocious talent for painting and enrolled at the Brera Academy of Fine Arts in 1864, attending the courses on landscape taught by Luigi Riccardi and then Gaetano Fasanotti. He came into contact with the Milanese Scapigliatura movement when still very young and formed a close friendship with Tranquillo Cremona. He began to focus exclusively on landscape in the 1870s, experimenting with painting en plein air and producing views of the Lombard and Piedmontese countryside that he showed at all the major national exhibitions. The late 1870s saw a more naturalistic approach to landscape painting under the influence of Filippo Carcano, with whom Gignous went to paint on Lake Maggiore in 1879, thus inaugurating a thematic repertoire devoted primarily to views of the Verbano, Mottarone and Val deOssola. Some biographical notes written by the artistes wife Matilde would appear to bear out the hypothesis of a trip to Paris in the company of Carcano in 1878 and attest to friendship with Vincenzo Vela, who was apparently his host on numerous occasions in Ligornetto. A recognised leader of the Lombard school of painting, he lived in Stresa and on the coast of Liguria from 1887 to 1906, his year of his death, with long stays in Venice. The Venice Biennale held a retrospective exhibition of his work in 1907.